Yayoi Kusama ( Kusama Yayoi, born March 22, 1929) is
a Japanese contemporary artist who works primarily in sculptureand installation, but is also active in painting, performance, film, fashion, poetry, fiction and other arts. During the 1960s she was a part of the New York avant-garde scene, especially in the pop-art movement. Since participating in the Japanese pavilion at the Venice Biennale in 1993 she has been exhibiting actively and has gained widespread international recognition. In 2017 a fifty-year retrospective of her work opened at the Hirshhorn Museum in Washington DC. Also that year the Yayoi Kusama Museum was inaugurated in Tokyo.
Performance
In Yayoi Kusama’s Walking Piece (1966), a performance that was documented in a series of eighteen color slides, Kusama walks along the streets of New York City in a traditional Japanese kimono with a parasol. The kimono suggests traditional roles for women in Japanese custom. The parasol, however, is made to look inauthentic as it is really a black umbrella painted white on the exterior and decorated with fake flowers. Kusama walks down unoccupied streets in an unknown quest. She then turns and cries without reason, and eventually walks away and vanishes from view. This performance, through the association of the kimono, involves the stereotypes that Asian American women continue to face. However, as an avant-garde artist living in New York, her situation alters the context of the dress, creating a cross-cultural amalgamation. Kusama is able to point out the stereotype in which her white American audience categorizes her, by showing the absurdity of culturally categorizing people in the world’s largest melting pot.
Film
In 1968, the film Kusama's Self-Obliteration which Kusama produced and starred in won a prize at the Fourth International Experimental Film Competition in Belgium and the Second Maryland Film Festival and the second prize at the Ann Arbor Film Festival. In 1991, Kusama starred in the film Tokyo Decadence, written and directed by Ryu Murakami, and in 1993, she collaborated with British musician Peter Gabriel on an installation in Yokohama
.
Fashion
In 1968, Kusama established Kusama Fashion Company Ltd, and began selling avantgarde fashion in the "Kusama Corner" at Bloomingdales.[44] In 2009, Kusama designed a handbag-shaped cell phone entitled Handbag for Space Travel, My Doggie Ring-Ring, a pink dotted phone in accompanying dog-shaped holder, and a red and white dotted phone inside a mirrored, dotted box dubbed Dots Obsession, Full Happiness With Dots, for Japanese mobile communication giant KDDI Corporation's "iida" brand.[45] Each phone was limited to 1000 pieces.
In 2011, Kusama created artwork for six limited-edition lipglosses from Lancôme.That same year, she worked with Marc Jacobs (who visited her studio in Japan in 2006) on a line of Louis Vuitton products,including leather goods, ready-to-wear, accessories, shoes, watches, and jewelry.The products became available in 2012 at a SoHo pop-up shop, which was decorated with Kusama's trademark tentacle-like protrusions and polka-dots. Eventually, six other pop-up shops were opened around the world. When asked about her collaboration with Marc Jacobs, Kusama replied that "his sincere attitude toward art" is the same as her own
Writing
In 1977, Kusama published a book of poems and paintings entitled 7. One year later, her first novel Manhattan Suicide Addict appeared. Between 1983 and 1990, she finished the novels The Hustler's Grotto of Christopher Street (1983), The Burning of St Mark's Church (1985), Between Heaven and Earth (1988), Woodstock Phallus Cutter (1988), Aching Chandelier (1989), Double Suicide at Sakuragazuka (1989), and Angels in Cape Cod (1990), alongside several issues of the magazine S&M Sniper in collaboration with photographer Nobuyoshi Araki
Our universes
Yayoi Kusama ( Kusama Yayoi, born March 22, 1929) is
a Japanese contemporary artist who works primarily in sculptureand installation, but is also active in painting, performance, film, fashion, poetry, fiction and other arts. During the 1960s she was a part of the New York avant-garde scene, especially in the pop-art movement. Since participating in the Japanese pavilion at the Venice Biennale in 1993 she has been exhibiting actively and has gained widespread international recognition. In 2017 a fifty-year retrospective of her work opened at the Hirshhorn Museum in Washington DC. Also that year the Yayoi Kusama Museum was inaugurated in Tokyo.
- < BEGINNING
- END >
-
DOWNLOAD
-
LIKE(1)
-
COMMENT()
-
SHARE
-
BUY THIS BOOK
(from $5.39+) -
BUY THIS BOOK
(from $5.39+) - DOWNLOAD
- LIKE (1)
- COMMENT ()
- SHARE
- Report
-
BUY
-
LIKE(1)
-
COMMENT()
-
SHARE
- Excessive Violence
- Harassment
- Offensive Pictures
- Spelling & Grammar Errors
- Unfinished
- Other Problem
COMMENTS
Click 'X' to report any negative comments. Thanks!