
who with his painting The Alchymist,
inspired this version of a well-known story.
This book was created and published on StoryJumper™
©2010 StoryJumper, Inc. All rights reserved.
Publish your own children's book:
www.storyjumper.com



house on the very edge of the
town, lived a very old man.
It was most mysterious.
Some people said he was a magician;
some said he was a priest;
and it was whispered also that he was
an alchemist.


Draco, the farmer's son, was fascinated by him. He
knew inside him that the Old Man was a man of both
science and magic, and Draco wanted to know all
there was about them both.
So it was that he had gone, cap in hand and trembling
just a little, to see the Old Man. He offered to fetch
and carry for him, to feed his cats, to cook his
dinner... whatever he could to be able to observe the
Old Man's work, to learn his secrets.

And so Draco scrubbed the floors and
strange potion bottles; kept the fire alive
in the grate; he emptied the Master's
chamber pot; and carried the heavy jars
which were delivered by large horses
pulling a cart three times a month.
The Old Man poured over his books,
papers strewn untidily all over the great
oak table in the dark vaulted room in
which they worked. If Draco got the
chance he would try to tidy them, so that
he could look at the strange symbols and
signs scratched onto the parchment.
Draco could read, but not these magic
letters.


Draco lived for the moments when the Old Man would pause as
he mixed the coloured liquids together in the strangely shaped
bottles, or ground pungent powders together and chunky bowls,
pause, look up and say "Hold this for me boy! And careful now,
for if a drop is spilled upon that powder, who knows the
consequences!"
And running forward, Draco would say, "Why, sir, tell me why?"
But the Old Man would be
lost again in his concentration upon his
work, and would only mumble,
" All in good time, my boy,
all in good time."


made worse by
the monthly visits to
the house
of Sylvarius.Sylvarius was a Professor at the University in the city.
He was quite a young man, probably no older than
Draco's oldest brother Jan, who always had a smile on
his face and a cheery word for anyone.
Sylvarius never smiled, especially, it seemed to Draco,
at him.

at Draco and say, in thin, mean voice:
"Unload those jars from the
wagon, boy. And no lollygagging!"Then he would draw the Old Alchymist to one side,
confidentially.
They would discuss in hushed tones whatever
news Sylvarius had brought from the University,
and study the pages of closely written notes the
Old Man had made. And when Draco struggled
down the steps of the dark room, lugging the tall
jars,they would stop their talking.

Sylvarius that made Draco wary of
him. One afternoon when Draco had
been unloading the cart, he had
slipped on some mouse droppings
on the old, stone steps. He had fallen with a tumble to the
bottom, and the glass phial that he
had been carrying, slipped from his
grasp and fell onto the stone floor,
splintering into a thousand pieces,
and, at the same time, fizzing, crackling
with a noxious green smoke.

breaking off his secret conversation
with Draco’s master.
“You stupid boy!” he had screamed.
“Look what you’ve done now!”

Draco as he had slithered away
from him on the floor.
“Stop,” said the Alchymist.
He had only spoken softly,
but his voice was full of authority.Sylvarius had seemed to gather
control of himself, taking a deep
breath. He had turned away.
“Sweep it up boy,” the Alchymist
had said, almost kindly.

about Sylvarius; and when
one winter morning a
message came from the
University, that Sylvarius
had summoned the Old Man,
because a “breakthrough”
had been made, Draco felt deep
inside him the green-eyed monster
of burning jealousy.

to himself as he helped the Alchymist
get ready for his trip, packing a change
of clothes into his leather portmanteau.
The Alchymist himself had packed his
secret papers.
“If only they would tell me what they
are up to, I’m sure I could help.
I watch what’s going on. I have my
ideas, if only they would ask.”

on the cart to the University saying,
“I have set everything up for when I return.
It is vital that it remains
untouched. Feed the cat, wash the
bottles and sweep the leaves off the
yard. Touch nothing! I will be back in
the morning.”
And he settled his robes more comfortably
around him and ordered the carter to drive on.

When he was gone it was quieter than ever in
the old house. Draco cut up some fish heads
for the cat, which was mewling and rubbing
around his legs. Then he collected the trash to
take out into the garden to be burned. Next he
must fill up the water jug on the Master's
wash stand. But as he came to the door,
something caught his eye on the floor.

“More trash,”, he thought. When he
bent and picked it up though, he saw
that it was in fact, a rather important-
looking piece of parchment.
“My word,“ he said aloud in his
excitement. “ This looks important. I
think the Master must have dropped it
on his way out.”


The parchment
showed a
complicated circle
with lines crossing
it in the shape of a
triangle.

Around the edge was writing of the sort that
Draco could not read when he had first
become the Alchymist’s apprentice. But little
by little he had been learning the meaning of
the odd symbols. And he felt sure he could
now follow these instructions. What a chance
he now had to show Sylvarius that he should
not be treated like a fool!

The equipment was set up all ready in the
dark old work room. What if he was holding
in his hands was the key to the whole thing?
What if he, Draco the Apprentice, could be the
one to succeed where all others before him
had failed? What if the Alchymist – and, best
of all, Sylvarius were to return tomorrow to
find, there, in that glass bottle …. gold, pure
liquid gold.
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who with his painting The Alchymist,
inspired this version of a well-known story.
This book was created and published on StoryJumper™
©2010 StoryJumper, Inc. All rights reserved.
Publish your own children's book:
www.storyjumper.com



house on the very edge of the
town, lived a very old man.
It was most mysterious.
Some people said he was a magician;
some said he was a priest;
and it was whispered also that he was
an alchemist.


Draco, the farmer's son, was fascinated by him. He
knew inside him that the Old Man was a man of both
science and magic, and Draco wanted to know all
there was about them both.
So it was that he had gone, cap in hand and trembling
just a little, to see the Old Man. He offered to fetch
and carry for him, to feed his cats, to cook his
dinner... whatever he could to be able to observe the
Old Man's work, to learn his secrets.
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